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CHURCHES of SUSSEX

 

 

 

 

St.Peters - Brighton

 

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Internal Photographs of St.Peters, Brighton.

 

The interior, which is very spacious, is equally splendid. The tower forms a spacious porch, with a staircase on each side leading to the gallery. Beyond this is an ante-porch or vestibule to the church, with a pointed door of entrance. The aisles are divided from the body by five pointed arches resting on a union of four cylinders, the exterior one rising to the clerestory, and terminating in a foliated capital, which serves to support the groining of the roof. The latter is plainly ribbed with bosses at the intersections, of foliage, etc.

 

Above the arches of separation of the nave from the aisles is a neat string course, and above it the clerestory window, which is pointed, and has beneath it two quatrefoil panels, with blank shields. One entire intercolumination at the south end is occupied by a transverse gallery, which is continued on the east and west sides of the church.

 

The nave at St. Peter's

View of the chancel looking north

 

The supporters of the south gallery are made into three divisions, the two lateral ones have depressed arches, the centre one is more pointed, with quatrefoil tracery in the angles, and above it are three panels; the centre one has the royal arms painted in an antique style, and the others have blank shields.
Beneath is the following inscription :

 

This church was consecrated on the 25th day of January, 1838, by the Right Rev. Robert James Carr, D.D. Lord Bishop of Chichester. H. M. Wagner, A.M. Vicar."

Also included are the names of the curate, evening lecturer, and the churchwardens. Behind the south gallery, and considerably above it, is another, supported by two clusters of small cylinders, in which is a splendid organ.

 

The semi-hexagon at the north end of the church is separated from the body by an exquisite screen, at each end of which is a pointed entrance to the vestry. Above this is a range of panelling, with cinquefoil heads, and an enriched cornice of foliage work, with a finish of strawberry leaves set upright. In the centre are three panels of dead gold, with the Decalogue, Lord's Prayer, and belief, in antique characters, with initial letters in scarlet, and the others in blue, the whole having the appearance of a Roman missal.

 

View of the raches & windows

East aisle showing the fine gothic arches and windows

 

At each side of the tablets, and slightly projecting from the design is a niche, or seat, with pinnacles at the angles ; the canopy is very beautiful, with crockets, pendants, etc. The pulpit and reading desk are octagonal, and each stands on a pillar formed by a union of several cylinders. They stand on opposite sides of the middle aisle, according to the present fashion.

 

This church is richly ornamented with elegant painted windows; the centre window over the communion table represents the four Evangelists with St. Peter, to whom the church is dedicated. There is a window on each side, which, with that in the centre, are executed in a superior style by Mr. Collins, an eminent artist of the metropolis.

 

The whole were presented to the church by the munificence of the Rev. Henry Michell Wagner, the vicar, in conjunction with his mother and sister. The upper windows on each side of the church are by the same artist, and presented by the same benefactors. They comprehend the Latin Te-deum in the church text.

 

 

 

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